A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country's foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological seq...(展开全部)

A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country's foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological seq...(展开全部)

【明媚洒脱不服就干x清冷钓系妖孽美人】女-男【现代校园架空男女互攻文学 掺杂微量权谋】【双洁 且无恋爱史】男女互攻〉双强齐肩〉蓄谋已久〉群像羁绊刻画〉 救赎 〉青春时光〉轻松治愈〉破镜重圆〉含酸涩部分〉微量权谋初版文案:今日话题→如何让心上人快速记住自己?忱肆计划表:↓方案A:拿年级第一白芙:不好意思，排名只看自己。方案B:学习好 品德好 争做万人迷，让同学传播同学:“白芙我跟你说，忱...”（被打断）白芙:“亲，换个话题。”方案C:直接撞她，这样总能印象深刻吧...?结果就是差点给人撞晕了。白芙咬牙切齿，恶狠狠道:“你叫忱肆是吧。”忱肆:“对。”（积极）高级文案: 该版本暂未开发……【不会排雷，文里埋的全是地雷，如中途被炸死/有不适，就请自行避雷离开，感谢。】【忱是读chen 二声 跟陈一样的读音】【本文无任何原型】

โรงเรียนเอกชนมัธยมปลายสตรีเซกะ มีฉากหลังเป็นงานกีฬาสี พาเหรดแฟนซี และการฆาตกรรมในห้องปิดตาย “ผู้ต้องสงสัยเป็นกลุ่มคนในโรงเรียน กลุ่มบุคคลผู้ไม่อาจรู้ตัวตนที่แน่นอนได้” ในโรงเรียนซึ่งมีบุคคลเข้ามาเกี่ยวข้องมากมาย ไม่ว่าจะเป็น ครู นักเรียน เจ้าหน้าที่ นักการ ผู้ปกครอง เริ่มต้นที่ ครูมาเอจิมะ ซึ่งเป็นครูกีฬายิงธนู โดนปองร้ายทุกรูปแบบ หาตัวผู้ประสงค์ร้ายไม่ได้ แต่เมื่อเกิดคดีฆาตกรร...(展开全部)

"After Photography" examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photos of news events taken by ordinary people on mobile phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to explore the possibili...(展开全部)

"After Photography" examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photographs of news events taken by ordinary people on mobile phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to explore the poss...(展开全部)

村上春树（1949－ ），日本小说家。曾在早稻田大学文学部戏剧科就读。1979年，他的第一部小说《听风之歌》问世后，即被搬上了银幕。随后，他的优秀作品《1973年的弹子球》、《寻羊冒险记》、《挪威的森林》等相继发表。他的创作不受传统拘束，构思新奇，行文潇洒自在，而又不流于庸俗浅薄。尤其是在刻画人的孤独无奈方面更有特色，他没有把这种情绪写成负的东西，而是通过内心的心智性操作使之升华为一种优雅的格调，一种乐在其中的境界，以此来为读者，尤其是生活在城市里的人们提供了一种生活模式或生命的体验。

"After Dark" is a short, sleek novel that features various encounters set in the witching hours of Tokyo between midnight and dawn, and is every bit as gripping as Murakami's masterworks "The Wind-Up Bird Chronicle" and "Kafka on the Shore."

Who or what comes after God? In the wake of God, as the last fifty years of philosophy has shown, God comes back again, otherwise: Heidegger's last God, Levinas's God of Infinity, Derrida's and Caputo's tout autre, Marion's God without Being, Kearney's God who may be. Sharing the common problematic of the otherness of the Other, the essays in this volume represent considered ...(展开全部)

Life is one of our most basic concepts, yet when examined directly it proves remarkably contradictory and elusive, encompassing both the broadest and the most specific phenomena. We can see this uncertainty about life in our habit of approaching it as something at once scientific and mystical, in the return of vitalisms of all types, and in the pervasive politicization of life....(展开全部)